Posts Tagged ‘Music’

Ahh baby, play my favorite website again.

Thursday, March 11th, 2010

It’s our song, honey. You know the one we built our relationship on, EHarmony.com. So,… so, melodious.

You know how this works, a friend sends me something, I play around and poof something else. Well here is that something else. the CodeOrgan. Say What?

Yes, the CodeOrgan analyses the “Body” content of your web page and translates that content into music. For those of you who want to know more, this is copied directly from the about page on CodeOrgan.com.

CodeOrgan

THE CODEORGAN ANALYSES THE *BODY* CONTENT OF ANY WEB PAGE AND TRANSLATES THAT CONTENT INTO MUSIC. THE CODEORGAN USES A COMPLEX ALGORITHM TO DEFINE THE KEY, SYNTH STYLE AND DRUM PATTERN MOST APPROPRIATE TO THE PAGE CONTENT.
FIRSTLY, THE CODEORGAN SCANS THE PAGE CONTENTS AND REMOVES ALL
CHARACTERS NOT FOUND IN THE MUSICAL SCALE (A TO G), AND THEN ANALYSES THE REMAINING CHARACTERS TO FIND THE MOST COMMONLY USED ‘NOTE’. IF THIS IS AN EVEN NUMBER THE PAGE IS TRANSLATED IN TO THE MAJOR PENTATONIC SCALE OF THAT PARTICULAR NOTE, IT BECOMES MINOR IF THERE IS AN UNEVEN NUMBER.
SECONDLY, THE CODEORGAN DEFINES WHICH SYNTHESIZER TO USE. THIS IS
BASED UPON THE TOTAL NUMBER CHARACTERS USED ON THE WEBPAGE – THERE ARE CURRENTLY 10 SYNTHESIZER EFFECTS AND THE ONE CHOSEN IS PICKED BASED UPON THE PERCENTAGE OF CONTENT.
LASTLY, THE CODEORGAN SELECTS A DRUM LOOP BASED UPON THE RATIO OF CHARACTERS ON THE PAGE VERSUS THE NUMBER OF CHARACTERS THAT ARE ACTUALLY MUSICAL NOTES – THERE ARE CURRENTLY 10 DIFFERENT DRUM LOOPS TO PICK FROM.
GO AND MAKE BEAUTIFUL MUSIC TOGETHER.
THE CODEORGAN PEOPLE

I went through a bunch of websites that I will name off below (and you can listen to them in the video). Some were cool, some were odd, and some (slickdeals.net) I just had to stop because it was way too long. Good thing is that you can go to CodeOrgan.com and try it yourself.

Here are the sites I tried (in order).

1.) http://www.gigmaven.com
2.) http://blog.gigmaven.com
3.) http://www.twitter.com/gigmaven
4.) http://www.facebook.com/gigmaven
5.) http://www.google.com
6.) http://www.myspace.com/gigmaven
7.) http://www.gigmaven.com/for-venues
8.) http://www.youtube.com/gigmaven
9.) http://www.gigmaven.com/jupiterone
10.) http://www.gigmaven.com/lepoissonrouge
11.) http://www.gigmaven.com/sullivanhall
12.) http://www.gigmaven.com/about
13.) http://www.sesamestreet.com
14.) http://www.slickdeals.net

I’d say my favorite is probably the GigMaven About Page.

YouTube Preview Image
  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Randy Johnston’s Pursuits Unknown at Banjo Jim’s

Tuesday, March 9th, 2010

Banjo Jim’s is a social, down-to-earth musicians hang where players can let their hair down.

Here’s Randy Johnston, and his Pursuits Unknown playing “Fool’s Paradise.”

YouTube Preview Image

It’s always awesome to see Randy play, and this gig was no exception. He’s backed here by a solid bunch:

with  Sam Raderman on guitar, Bomi Choi on drums and David Cutler on bass.

“Fool’s Paradise” was written by Mabel Cordle, Jerry Fuller and Robert Geddins, and recorded famously by Sam Cooke.

You can see Johnston and Pursuits Unknown this Friday, March 12 at Two Boots Brooklyn.

Also check out Randy playing with Lou Donaldson at the Village Vanguard in April. They’re starting their 5-night stand on April 6th.

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Looptracks

Thursday, March 4th, 2010

If you’re ever bored, or, in the mood for something cool then check out Looptracks, an interactive music video.

You hit the page, get a few colored squares that end up turning into a logo and then you’re off to start (or read information).

All the music, visuals, and programming are by Conor O’Boyle.

Just check it out. If you don’t then you must not be too cool.

Looptracks

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Tip of the Cap, These Guys Deserve-Lawrence Arabia

Monday, March 1st, 2010

Lawrence Arabia

It’s been more than a week since that sweet day when I first heard Lawrence Arabia’s “Apple Pie Bed” on The Hype Machine.

And now, just today, I see a friend who’s posted “APPLE PIE BED” on his facebook status. Let me tell you, New Zealand’s Lawrence Arabia has got it goin’ ON. They’ve got that bit of Beatles in their sound, as well as some very warm, analog bass and guitars and captivating reverb.

Their MySpace features a touring itinerary that does not include the NY metro area, WHAT?

YouTube Preview Image
  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

“The Music Studio”

Thursday, February 25th, 2010

Go to ClubCreate.com and you’ll find a collection of web apps to compose your heart away. I happened to play with “The Music Studio“. There are more web app options to choose from, so after reading you can check them out here.

About ClubCreate (via ClubCreate.com):

The Music Studio

ClubCreate stands at the intersection of music, technology and culture providing free, web-based music creation tools for the masses. ClubCreate breaks down the barriers to music creation providing Brands with unique ways to engage new customers. We have worked with top global brands such as Microsoft, MOG, Myspace and Vodafone to create these unique experiences that help promote brand awareness via music.

I’ll talk about the good first.

There are a lot of loops and options. I could take a loop and add reverb, delay, reverse, flanger, phaser, 3 band EQ, normalize, and distortion if I wanted to. You can also edit pan and volume by inserting nodes and moving them around. I also had the ability to solo and mute.

Working within the app is really easy, just drag and drop. You can’t cut a loop (I couldn’t find an option), but you can add or delete the loop by clicking on a ‘measure’ (simply put).

ClubCreate ImageThe Music Studio is actually a lot of fun, but I had some odd experiences. For example, I’d add the same loop a few times, then delete a couple of them and the specific track would no longer work. I don’t know why, but after clicking a whole bunch of times, it eventually worked again. My biggest frustration, though, was when I saved the project and came back to it. The whole project was a mess. Everything was in it’s place, but a lot of the tracks, more specifically tracks with effects, did not have the appropriate sounds. It was really annoying and after awhile I finally (or hopefully) got it back to the way it was supposed to sound. You’ll notice quickly what I’m talking about when you watch the video I created compared to the widget they offer to play your track in. You’ll notice that a lot of the sounds are just straight up wrong. I found the program unreliable.

You don’t necessarily have to be very creative to make something cool. That said, if you want you can get creative with what you have available. I found that with the limitations I was still able to change the project to my liking.

Check out the video to see/hear my demo ‘composition’, then listen to the widget track. You’ll have to skip ahead in the widget track because I had a few measures in the beginning I couldn’t get rid of. You’ll quickly notice the difference.

Anybody up for throwin’ a rhyme on top of the beat?

YouTube Preview Image

It’d be cool if someone rapped over my mix. Surprise me! Let me know and I’ll add it to this post.

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Smoota at Union Pool: Pornedelic Soul

Wednesday, February 24th, 2010

Smoota @ Union Pool

written by GigMaven guest-blogger Jonathan Goldman, photo by Amy Touchette

By day Jonathan Goldman is Assistant Professor of English at the New York Institute of Technology.  By night he leads and plays trumpet in Spanglish Fly, NYC’s own Latin soul and boogaloo band.  (http://www.spanglishfly.com)

Catch Spanglish Fly at R-Bar on Weds. March 31st for GigMaven Presents: the NYC Music:Tech Meetup

About 100 people crowded the back room of Union Pool last night for the debut of Smoota, but I imagine that years from now many more will claim to have attended.  Smoota is the alter-ego of local semi-legend Dave Smith, a much in-demand trombonist known for his work with Burnt Sugar, the Red Baraat Festival, Chin Chin, the Reverend Vince Anderson, and others. Two years ago, alone in his bedroom, Smith (Smoota) recorded “Fetishes,” a suite of raunchy, unironic, unapologetic songs about sex and idiosyncratic desire.  Last night, Smoota finally went public, backed by a trio; Kevin Blackler (keys), Mike MiWi Williams (bass) and Evan Howard (electro drums) successfully breathed new life into Smoota’s tuneful dirty psychedelic soul.  (Imagine an updated Shuggie Otis but one with a willful, jagged, and endearing unprofessionalism.)

Ever been to a band’s first show where half the audience could already sing along with the lyrics?  That happened at Smoota.  It started with the incantatory, repetitive opening to “Pink Bra” and continued through the night’s finale, “These Are the Things (That Fuel My Desires)” – a musical litany that celebrates surgical scars and lovers who leave the bathroom door open while sitting on the can, among other fetishes.

The crowd’s early familiarity with Smoota’s tunes serves as testament to the grip he already has on his audience.  Other testament comes in the form of my friend’s parting words as Smoota closed out the set.  “G’night” she said to me, jerking a thumb toward her husband, “We gotta go have sex.”

Kudos also go to opening acts Afuche and and Sonia’s Party & the Everyone’s Invited Band.  Sonia’s rendition of Etta James’ “I’d Rather Be Blind” never fails to hold an audience spellbound.

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Fun With Nostalgia

Tuesday, February 16th, 2010

To be clear, I don’t feel any nostalgia towards Hanson.

Nathan Rabin of The A.V. Club, of the Onion, just started a series on the Now That’s What I Call Music discs that I know I’ll be following.

Throughout college, every couple of months, my roommates would go through iTunes compilations based on individual years of pop music, sampling the huge hits of yore, mostly from around 1997-1999.

Rabin’s piece is making me reflect on the pure ecstatic joy of listening to these catchy, sometimes awful, always signature tracks.

Here’s my thesis: In the late 1990s, songwriters and big-time pop stars could craft huge hits by relying on

1. snippets of common and catchy musical vocabulary

2. vocal timbres that are expressive in a brutally simple way

For 1, take the the pre-chorus to the Fastball hit, “The Way,” you know the part that goes Where were they going / without ever knowing / the way. If you ask me, that’s a pretty deliberate sounding musical phrase. What do I mean by deliberate? I don’t know. I guess I really mean that those notes, quarter-note triplets making their way down a minor scale from the 5th (dominant?) scale tone to the root (tonic?) seem like they came straight-outta somewhere else.

For 2, let’s think about someone who gets the pop music nostalgia probably better than anyone, and that’s Trey Parker the co-creator of Southpark. Think about the Team America: World Police soundtrack. There’s a style of singing popular in the late 1990s that Parker gets. And he implements it throughout his TV and movie efforts–it’s any vowel sound altered slightly by the “r” consonant sound. I’m thinking especially of  ”Only A Woman,” on the Team America soundtrack. It’s like if you took Eddie Vedder, Dave Matthews, Matchbox 20 and a cowboy, shook them up and spit them out–that’s some serious emotion.

Rabin’s great current post about the Now series has a few great examples of #s 1 and 2. Can’t wait for the rest of his series to unfold.

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Joannalysis

Friday, February 12th, 2010

Joanna Newsom

I’m the biggest Joanna Newsom fan I know. In fact, I’ve never met another fan of Joanna Newsom that wasn’t converted by me.

Here’s a quick rundown of her albums as I’ve encountered them:

Milk-Eyed Mender-I’ve never really listened to it

Ys-Listened to it all the way through, probably 40 times at least. I consider it beyond the masterpiece level and essentially flawless.

Ys Street Band EP-Likewise, a really really great piece of music. I saw JN with this group play the Royal Albert Hall in 2007, it was one of the better concerts of my life.

Newsom’s new album, Have One on Me, is coming out Feb. 23, and her label’s just released one of the tracks, “Kingfisher,” as a stream.

So NYT ArtsBeat today published artist Andrew Kuo’s visual reaction to Newsom’s new song. Remember this about the Beatles a month or so ago? I’m not sure if I agree with Kuo’s freakouts about the otherworldly nature of “Kingfisher,” but I do think his approach is a really cool way to represent our reactions to music. Can you imagine a blog devoted entirely to professional, colorful, artistic charts about music? Or what about custom iTunes visualizations? Light shows, to any song, at your disposal? It’s time that YouTubers step their game up.

Kingfisher Analysis Andrew Kuo

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

New York Soul

Tuesday, February 9th, 2010

Recessionmusik-Digging up some of the best live music NYC has to offer for less than $20.00 but more than $0.50. This is the 3rd entry in a series of eight.

I had the spicy pleasure of checking out New York’s Spanglish Fly play their “First Fridays” gig at Camaradas El Barrio this weekend.

Here they are playing “New York Soul” to a packed dance floor.

YouTube Preview Image

Spanglish Fly is Atsushi Tsumura, trumpet, Charly Rodriguez, timbales, Christelle Durandy, percussion, Dmitri Moderbacher, bass, Erica Ramos, lead vocals, Gabo Tomasini, percussion, Jonathan Flothow, bari sax, Jonathan Goldman a/k/a Jonny Semi-Colón, trumpet, Martin Wallace, piano, Mick Santurio, congas, Rose Imperato, tenor sax and Sebastian Isler, trombone.

Catch Spanglish Fly this Friday at the Shrine, or the first Friday of every month at Camaradas El Barrio.

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz

Fresh Funky Tuneskees

Thursday, February 4th, 2010

Solos from John Wriggle on bone, Fred Fielder on trumpet, Charles Lee on tenor sax, Randy Johnston on geetar.

YouTube Preview Image

Next Ex Caminos gig you ask? See them at the Shrine with the Funky Fritters for the Jumbo Gumbo Mardis Gras Party on Saturday Feb. 13th at 8 pm.

  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • FriendFeed
  • LinkedIn
  • Live
  • MySpace
  • PDF
  • Ping.fm
  • Propeller
  • Reddit
  • Slashdot
  • StumbleUpon
  • Technorati
  • Tumblr
  • Twitter
  • Yahoo! Buzz